Recent Work

  • In my first fews years back in LA, I was been living next door to a construction site. There was literal debris everyday to play with. The last time I had a studio and was able to make objects was in Milwaukee. At that time the materials were mostly fabric, felt, cardboard and wire. Since being in LA I have gravitated to salvaged materials, thrift store finds, construction scraps, and basic arts, crafts and lumber store supplies. There are also a few decor items, Legos and things from Ikea.

    This work was really about learning to limber up, to improvise and work more freely. Not from a model or a clear idea, but intuitively, and when possible quickly. I start with a vague idea from a specific material, then work it step by step. I may not know what an object will finally end as, but I try to find the next step. It is an action and reaction. Sometimes, that next step is clear, sometimes it takes time. Scale is important. The play between maquette and sculpture entertains me. Ultimately the best of these are intimate objects.

  • In early 2023 I set up a my current studio and started to create slightly irregular, grid-like wall objects using cardboard and acrylic medium. Encouraged by a fellow artist to venture beyond cardboard, I transitioned to utilizing 1/4” bass and poplar board to realize my initial concepts. I explored folded 2D ideas that are both familiar and dynamic, ordinary, yet subtly askew. These self-supporting, fence-like structures maintain minimal contact with the ground.

    Seeking a more organic approach, I shifted to "poor objects" to inject a sense of looseness, improvisation, and renewed joy into my creative process.

Recent Work

  • My father was born in 1913, a first generation Italian-American who came of age in New York during the Great Depression. He never finished high-school. He was hardworking, street-smart, charming with the ladies, and spoke fluent Yiddish. He worked in construction and become a General Contractor, managing large corporate projects for Johnson & Johnson. In the basement of our house in New Jersey, my father kept a workshop full of tools. It was rarely used, but in perfect order, with each metal sheet cutter or wrench wrapped in oil cloth. It was his place to imagine projects, to create and to fix.

    In January of 2005, he passed away at the age of 92. A few months later, I moved from San Francisco to Kansas City Missouri. It was a decisive end to my earlier art career and the beginning of a career as a corporate creative director. Each time I moved cross country, my father’s tools, still in their 80’s packing, moved with me.

    Fast forward to now… I am living in Los Angeles and am making art again. While I haven’t fundamentally changed, my approach has evolved. Years of creating brand imagery has left me with a renewed love of the tactile and for sculpture, which was actually my major at Rhode Island School of Design.

    The new work is in some ways a continuation of old values and interests, but it is more physical. This work is about building, and its construction is part of its meaning, and this need to build has brought me to finally unwrapping and using some of my father’s tools.

    Thanks for reading.